Tag: Literary criticism
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Love Consumes All: Mary Herbert’s Antonius & Shakespeare’s Antony and Cleopatra
“The less her wrong, the less should be my woe;/ Nor she should pain, nor I complain me so.” – Antony, Antonius (III, line 229-30) [couplet by Mary Herbert added to the Garnier text] Back in November, I made you all listen to me natter on about Mary Wroth’s Urania and in the course of that discussion, I introduced…
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Curses, Corpses, and Cheops: The Surprisingly Feminine Origins of Mummy Literature
“He saw it rise gradually—he heard the dry, bony fingers rattle as it drew them forth—he felt its tremendous grip—human nature could bear no more—his senses were rapidly deserting him; he felt, however, the fixed steadfast eyes of Cheops still glowing upon his failing orbs, as the lamp gave a sudden flash, and then all…
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Jacobean Gossip Girl: Mary Wroth’s Urania
“[2/5 stars] I died and seriously started contemplating why I’m in the English program.” – Goodreads reviewer “I don’t think I want you to pass that one along to me.” – my mom One day I might use this space to talk about popular Renaissance literature, but today is apparently not that day. But in…
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“That Best of Men”: Virgil, Horace, and a Friendship in Verse
As usual, I spent most of the past couple of days being completely stymied as to what to talk about this week, but then I remembered that today (October 15th) is Virgil’s birthday (he’s turning 2,091). So in his honor, I thought we’d talk a little about ancient Rome’s most famous poet. But since Virgil…
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More Gods Behaving Badly: Ancient Mythology & Cultural Narrative (Part 2)
Last week, we talked about myths as half-remembered histories and cultural origin stories through the lens of Egyptian myth. This week we’re going to shift more thoroughly to the Greeks and dissect Plato’s idea that myths-as-stories that are based on the gods having passions and struggles — what he calls false myths — and try…
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Gods Behaving Badly: Ancient Mythology & Cultural Narrative (Part 1)
Because I spend too much time (i.e., any time) lurking on classical-centric social media, and in this case, especially Twitter, I’ve been thinking a lot about mythology, third-wave feminism, and contemporary scholarship. Mostly, I love the direction of modern academia in the classical world and history in general, where it’s moving towards being more inclusive…
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Greek Tragedy, Courtly Love, and Renaissance Satire: The Changing Face of Troilus & Cressida
“Lechery, lechery, still wars and lechery! Nothing else holds fashion.” — Thersites, Troilus & Cressida Before we start this week, I want to apologize to all of you for a very stupid blunder on my part. Mainly that all of my notifications for this blog were being sent to a filler email account to which I…
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The OG MC: Homer and the Evolution of Art in the Ancient World
I was reading a really interesting article about Egyptian art and its depictions of unknown and extinct animals. The particular example the article is exploring are so-called “Meidum Geese,” a plaster painting in the tomb of the Fourth Dynasty (2600s – 2400s BC) prince, Nefermaat. Aside from its great beauty and realism, the painting depicts…
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A Macedonian, a Roman, and a Frenchman Walk into India: History and Theatre in Alexandre le Grand
“Your work is puerile and under-dramatized. You lack any sense of structure, character, and the Aristotelian unities.” – Wednesday Addams, Addams Family Values When I started blogging again, I had intentions of talking about what I was reading from time to time, but had never really gotten around to something that might make a good…
Sarah Holz 