Tag: Literary criticism
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More Literary Runaway Lovers: Alessandro Manzoni’s The Betrothed and the Birth of the Modern Italian Novel
“Dear readers, all twenty-five of you, imagine the impression the meeting with the two bravi must have made on the poor man!” – The Betrothed, Chapter 1 I’m arguably running a week behind schedule here because last week the other lady of the house and I were in Las Vegas trying to dip our toes…
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The Little House that Libertarianism Built: Myths of the American Frontier and Rose Wilder Lane’s Let the Hurricane Roar
“We are having hard times now, but we should not dwell upon them but think of the future. It has never been easy to build up a country, but how much easier it is for us, with such great comforts and conveniences, kerosene, cookstoves, and even railroads and fast posts, than it was for our…
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Babes in the Woods: Longus’ Daphnis & Chloe
“[A]bsolutely no one has ever escaped Love nor ever shall, as long as beauty exists and eyes can see.” — Daphnis & Chloe, prologue “For our part, may the gods grant us proper detachment in depicting the story of others.” (ibid—and my new writing mantra) As threatened multiple times, we’re circling back to more of…
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The Girl Who Lived: Historical People and the Question of Ethics in Historical Fiction
This entry is going to broadly discuss historical fiction, and the framing of two novels, Philip Roth’s The Ghost Writer (1979) and Shalom Auslander’s Hope: A Tragedy (2012) in particular. While normally I wouldn’t post spoiler warnings for two books forty-four and eleven years old respectively, because both books’ synopses play the historical denouement of…
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Canada Emptor: Susanna Moodie’s Roughing it in the Bush and the Early Immigrant Literature of the Great White North
“Home! The word had ceased to belong to my present it was doomed to live for ever in the past; for what emigrant ever regarded the country of his exile as his home?” – Susanna Moodie, Roughing it in the Bush (Chapter II) As I’ve mentioned a few times, I spent the overwhelming bulk of…
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A (Fake) True Story: Lucian and the Birth of Modern Sci Fi
“To put yourself in another man’s shoes and say what he would of said was a regular exercise of the schools, but to laugh in your sleeve as you said it was not the way of the ordinary rhetorician.” – A.M. Harmon (introduction to Phalaris) Okay, as promised, we’re going to talk about Lucian (c.…
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Reading in Review: My Best Books of 2022
Well, my lovely readers, we’ve managed to make it to the end of another year, and while all signs point to 2023 not likely to be existentially any easier, making it to the new year is always to be commended. I had intentions of doing an entry on the satirist Lucian this week, but I…
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Accidental Adventures in Antiquity: The Works of Ausonius
“For when the Emperor Octavianus was reigning, they [the Golden Age poets] vied with one another in presenting him with their works, and set no limit on to the number of the poems which they composed to his praise. You may be sure that though he may perhaps have admired these authors as much as…
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Death Becomes Her: Achilles Tatius’ Leucippe & Clitophon
“Alas, Leucippe, how often have I seen you die!” – Leucippe & Clitophon (VII, 5.2) “The first time you came back from the other side, I thought it was the most phenomenal thing I’d ever heard. And the second time, I thought, ‘Wow! What are the odds?’ And the next four times I thought, ‘Well,…
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Publishing Perils: Mark Twain, Amanda McKittrick Ros, and the Exuberant Afterlife of Irene Iddesleigh
“Over the years A Murder, a Mystery, and a Marriage has been ignored almost entirely by the myriad scholars who have scrutinized every other scrap of Twain’s writing voluminously.” – Roy Blount Jr., foreword to the Norton edition (2001) “Ros’ writing is not just bad, in other words; its badness is so potent that it seems to…
Sarah Holz 